“情景再现”在园林题材纪录片中的应用研究外文翻译资料

1、Scene Reconstruction and Process Reappearance of Car-pedestrian Collision Traffic Accidents

The car-pedestrian impact accident scene investigation has a low precision ,long time of occupying road, and big information acquisition error. As a result, the process reappearance does not match the real accident process .The use of the digital reconstruction and computer simulation technology carries out the traffic accident scene reconstruction and the process reappearance ,which rebuilds the important parameters and the process of the significant traffic accident. It can provide a scientific basis to identify accident and authenticate responsibility for the traffic police department. The scene reconstruction and simulation result of the actual traffic accident case show that :Actual cases through the accident scene reconstruction and simulation results that: it is more than 95 percent that the reconstruction result of the scene coincides with the accident scene, the deviation of the accident reconstruction result does not exceed 10 percent, and the reappearance result is a nice match for the accident scene investigation data. That provides a new way for the accident scene reconstruction and process reappearance.

2、On the Video Communication of the History Analysis on the Scene Reappearance of 'Lmperial Palace'

This article takes 'the scene reappearance' as the entrance of study ,and from the aspects of using the fixedlens, so on; this artiele analyzes 'Imperial Palace'. And it attempts to discuss the development direction of 'the scene reappearance' in the documentary film.

A documentary is a nonfiction film or video recording of social and natural events. The basic narrative technique is to interview photography, that is, in the course of the development of the event, the photography method of selecting, waiting and snatching is used to record the real life events happening in real environment and real time. The birth of scenario reproduction technique greatly broaden the field of the documentaries, part of the documentary subjects for specific out of the material shortage, auxiliary documentary creator with lens language conveying the documentary scenes, plot, character, enhancing the narrative documentary and appreciation. Scene reproduction is not an end but a means. Its representation is fiction and simulation, but its essence is to realize the real possibility. In the premise of not affecting the scientific nature and authenticity of the documentary, it is the fundamental starting point of the scene reproduction technique to fulfill the needs of the director by the way of playing, reproduction and special effects. According to different content, different styles and different intentions, the creator can choose the way he wants, to reflect the nature of things as real and objective as possible and to attract the audience.

The methods of scene reproduction used in the current documentary can be roughly divided into: character playing, special effects synthesis, repetition, historical sound drawing data and virtual scene combination. Usually a documentary contains multiple scenarios, which can enhance the drama and character of the documentary, and give a complete story clue for the whole film.

The scene reappearance is achieved through character role-playing or digital stunt synthesis. There are countless documentaries on the history and culture at home and abroad. The BBC documentary series produced by the 'walking with dinosaurs' and so on, in the form of feature films, according to the plot set up different roles, they have their own name, lively personality, their different backgrounds.

The use of repetition or historical sound drawing data combined with virtual scene to realize the scene reappearance. It has an irreplaceable role to widen the scope of the documentary selection, enrich the content of the program, satisfy the audiences viewing psychology and enhance the enjoyment of the program.

The method of scene reproduction is the test of the responsibility of documentary creators. Reality is the life of the documentary, and the creation of documentary can not be false. Scene reappearance technique in the documentary film creation has the key to life, is that it is based on strict respect on the basis of history and logic of life, not life to dismembered arbitrarily, the history and the reality is this scene reappearance and the essential difference between false imaginations. The documentary creators should consider the documentary value, the literature value and the influence on the later generations, but not the convenience of creating false facts by means of scene reproduction, which is contrary to the historical truth. Documentary should be adept skills and the height of the historical sense of responsibility, focus more on the story, to attract the audience into the story, such a documentary to be called is a documentary of success.

The creators should make innovative use of the method of scene reproduction in the documentary. Documentary film is a portrayal of the reality of objective things, whether it is documentary shooting or scene reappearance. The abstract was founded by the famous Spanish painter pablo Picasso. Many of Picassos paintings broke the law of traditional modeling. He observed things in all directions, and overlapped things from different angles on one screen, which made a real difference between the real and the ordinary. As a documentary work reflecting the real dynamic, the documentary can be drawn from abstract ideas. Scene reappearance technique can be through the use of advanced technology, give full play to the advantages of modelling, the montage deconstruct the space and time, our eyes cant see the different side of things at the same time, show on the picture at the same time, the seemingly simple structure, lines, movement to the audience in a different way to analyze,

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1、汽车行人碰撞交通事故的场景重构与过程再现。

汽车行人碰撞事故现场调查精度低、占用时间长、信息采集误差大。因此，过程再现与实际事故过程不匹配。利用数字重建技术和计算机仿真技术进行了交通事故现场重构和过程再现，重构了重大交通事故的重要参数和过程。它可以为交通警察部门识别事故和鉴定责任提供科学依据。现场重建和实际交通事故情况下的仿真结果表明:实际情况下通过事故现场重建和仿真结果:超过95%,现场的重建结果的同时,事故现场,事故重建结果的偏差不超过10%,并对事故再现结果是一个很好的比赛现场调查数据。为事故现场重建和过程再现提供了一种新的方法。

2、浅谈“Lmperial Palace”场景再现历史分析的视频传播

本文以“场景再现”作为研究的切入点，从使用固定镜头的角度出发;这位艺术家分析了“故宫”。并试图探讨纪录片中“场景”的发展方向。

纪录片是对社会及自然事物进行记录报道的非虚构的影片或录像节目。基本的叙事报道手法是采访摄影，即在事件发生发展的过程中，用挑、等、抢的摄影方法，记录真实环境、真实时间里发生的真人真事。情景再现手法的诞生大大拓宽了纪录片的题材领域，让部分特定题材的纪录片创作走出素材短缺的困境，辅助纪录片创作者用镜头语言形象地表达纪录片中的场面、情节、人物性格，增强了纪录片的故事性、观赏性。情景再现不是目的而是手段，其表象是虚构、模拟，但其本质是实现极大可能的真实。在不影响纪录片内容科学性、真实性的前提下，采用扮演、重现、特技合成等途径满足导演的需求是情景再现手法的根本出发点。根据不同的内容、不同的风格、不同的意图，创作者完全可以选择自己想要的途径，尽可能真实、客观地反映事物的本质并吸引观众。

当前纪录片所使用的情景再现手法大致可分为：人物扮演、特技合成、重演、历史声画资料与虚拟场景相结合等。通常一部纪录片包含多种情景再现手法，可增强纪录片情节的戏剧性、人物的个性，为整部片子勾勒出完整的故事线索。
　　通过人物角色扮演或数字特技合成实现情景再现。国内外历史文化题材的纪录片不计其数。BBC 制作的系列纪录片《与恐龙同行》等以故事片的形式，根据故事情节设立了不同的角色，他们有自己的名字、鲜活的性格、各自不同的背景等。
　　使用重演或历史声画资料与虚拟场景结合的手法实现情景再现。情景再现手法对于拓宽纪录片选题范围、丰富节目素材、满足观众的收视心理、增强节目观赏性等方面，具有不可替代的作用。

情景再现手法是对纪录片创作者责任感的考验。真实是纪录片的生命，纪录片创作容不得半点虚假。情景再现手法在纪录片创作中具有生命力的关键，就在于它是建立在严格尊重历史和生活逻辑的基础上的，不是对历史和现实生活的任意肢解，这是情景再现与虚假想象的本质区别。纪录片创作者要考虑纪录片的纪实价值、文献价值以及对后人的影响，而不能凭借情景再现手法开伪造事实的方便之门，违背历史真实。纪录片人应该凭借娴熟的技巧和高度的历史责任感，把更多的精力放在讲故事上，把观众吸引到故事中，这样的纪录片才能称得上是成功的纪录片。

创作者应当在纪录片中创新地运用情景再现手法。不论是用纪实拍摄还是用情景再现手法，纪录片都是对客观事物真实的写照。抽象主义是由著名的西班牙画家毕加索创立的。在毕加索的绘画作品中，很多都突破了传统造型的规律。他对事物进行全方位的观察，把从不同角度看到的事物重叠在一个画面上，这种画面构成的真实与普通意义上的真实完全不同。纪录片作为体现真实动态的纪实作品，是完全可以借鉴抽象主义创作构思的。情景再现手法可以通过先进的技术手段，充分发挥造型、蒙太奇的优势解构时空，将我们眼睛不可能同时看到的事物的不同面，同时展现在一幅画面上，把看似简单的结构、线条、运动用不同的方式向观众一一剖析，让空间分解展开，让时间伸缩、倒退、冻结，通过这种手法传达给观众的信息量，远远多于传统的纪实拍摄画面。

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